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- W654345590 abstract "PART ONE: SNAPSHOTS At Nagasaki, there is a large statue of a man pointing at the sky. The Peace Statue, created by Seibou Kitamura, indicates the direction of a nuclear threat. Tourists like to stand in front of this statue and take pictures of themselves posing in the same position. This practice is so popular that the sign directing tourists to the memorial park from the tram stop actually uses this gesture of posing for a photo as the marker of the park’s location. Over three days at three different concentration camps in Poland, I see a dozen different tour groups of Israeli high school students. In these groups, every student carries a flag large enough to wrap themselves in. The groups mark the site with a particular Zionist reading of the holocaust, not just for themselves but for all the other visitors as well. Just a week after the collapse of the World Trade Center towers, local vendors are already sold out of (and have not yet nostalgically reprinted) the cards of the Manhattan skyline that still feature the twin towers. Street vendors are selling reproductions of amateur and professional photographs of the burning and collapsing buildings to the thousands of “tourists” who pour out of the Fulton Street subway station to circle the still smoking ruins. In Phnom Penh, I cannot leave my hotel without being asked by a tuk-tuk driver if I would like to visit the “killing fields.” They use the term “killing fields” derived from the popular film instead of the monument’s actual name, Cheung-Ek, and they presume that, as a “white foreigner,” I will at some point be purchasing transportation to the genocide memorials. Both of these actions reflect the prevalence of the global practice of “trauma tourism”." @default.
- W654345590 created "2016-06-24" @default.
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- W654345590 date "2010-03-01" @default.
- W654345590 modified "2023-09-25" @default.
- W654345590 title "Always Already Again : Trauma Tourism and the Politics of Memory Culture" @default.
- W654345590 hasPublicationYear "2010" @default.
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