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- W656003347 abstract "Contents: Foreword, H. Wiley Hitchcock Preface Charting Charpentier's 'worlds' through his Melanges, Patricia M. Ranum Charpentier's void notation: the Italian background and its implications, Graham Sadler The descending minor tetrachord in France: an emblem expanded, Lois Rosow Repentance, piety and praise: sensual imagery and musical depiction in the petits motets of Marc-Antoine Charpentier, C. Jane Gosine A question of genre: Charpentier's Messe pour Plusieurs Instruments au lieu des Orgues (H513), David Ponsford Charpentier's music at court: the singers and instrumentalists of the Chapelle Royale, 1663-1683 and beyond, Anthea Smith Performance practices at the TheA tre de Guenegaud and the Comedie-FranA aise: evidence from Charpentier's Melanges autographes, John S. Powell Une source peut en cacher une autre': added preludes and instrumental cues in the Melanges, Catherine Cessac The historical implications of a distinctive scoring: Charpentier's 6-voice motets for Mademoiselle de Guise, Theodora Psychoyou Observations on Charpentier's compositional process: corrections in the Melanges, Herbert Schneider Medee within the repertory of the tragedie en musique: intertextual links and the 'posterity' of Charpentier's opera, Benjamin Pintiaux The nature of fame: reflections on Charpentier's Les Plaisirs de Versailles and Lalande's Les Fontaines de Versailles, Peter Roennfeldt Charpentier's Motets melA*z de Symphonie: a nephew's tribute, Shirley Thompson Appendix Bibliography Indexes." @default.
- W656003347 created "2016-06-24" @default.
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- W656003347 date "2017-07-05" @default.
- W656003347 modified "2023-09-24" @default.
- W656003347 title "New Perspectives on Marc-Antoine Charpentier" @default.
- W656003347 doi "https://doi.org/10.4324/9781315090542" @default.
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