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- W661507 abstract "Until the End of the World can be seen as a `global' film in terms of its production process, theme, narrative structure and universal appeal. The article challenges this universality by demonstrating that the film mobilises distinctive and definitive European perspectives in its attempt to speculate about our global future. The article initially examines the film's imagining of technological development in the near future. The film is particularly preoccupied with the future of `technologies of vision', the techno-scientific and artistic ways through which we represent ourselves and the world around us. In Until the End of the World, these `technologies of vision' are contrasted to more traditional processes of story-telling. The position that narrative occupies in the film is analysed with particular emphasis on the position and the function ascribed to the narrator. The article locates both the discursive origins of `technologies of vision' and the film's critique of them, not in opposing universes, but within the same historical process, sharing a common `destiny' and coming from the same (European) view of the world." @default.
- W661507 created "2016-06-24" @default.
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- W661507 date "1998-12-01" @default.
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- W661507 title "Euro-visions" @default.
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- W661507 doi "https://doi.org/10.1016/s0016-3287(98)00098-6" @default.
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