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• W66221018 abstract "Ferrara cathedral in the Middle Age: building phases and iconographical problems.The present investigation analyzes the different building phases of Ferrara cathedral during the Middle Age, trying to understand the evolution of a very large and extremely complex yard. Nowadays only the perimetrical walls belong to the medieval period, because of the remaking suffered during the centuries. The work starts from a careful, critical revision of the existing literature and the preserved sources, by a widespread research in the archives of Ferrara, Modena, Ravenna, Florence, Rome and Vatican City. Then, the possibility to get to scaffolding organized to remake the roofs of the aisles, in 2007 and 2008, and to study the 3D surveys of Ferrara University and the photogrammetries of Ravenna Superintendence has allowed to raise new problems and try to find new solutions. On the base of careful inspections and on-the-spot investigations, it has been possible to formulate new hypothesis, suggesting a different articulation of the building phases and participation of workforces. From the starting of the construction under bishop Landolfo in 1135 (when Nicholaus’ workshop also participated) to a new definition of the campionese phase, the whole sculptural material has been reexamined to elaborate some original proposal. The figure of the Months master has been reconsidered too, focusing better his possible training in the French yards and his plausible presence in Vercelli. With regard to the Months reliefs, a new proposal for their collocation has been advanced, especially for the Zodiacal signs slabs. The individuation of the French workshop, that deals with another building phase and with the realization of the upper part of the facade porch, permits to connect Ferrara and the Ile-de-France cathedrals. Thanks to the pictures taken during the conservative intervention directed by Ottorino Nonfarmale, it has been possible to understand that the Last Judgment of the porch was originally composed in a different way. A further building phase has been picked out in the upper gallery of the southern flank, until ending with the facade completion, that probably continued until the first half of the XIV century, with influences coming from the English gothic. With regards to the inner space of the building, divided in five aisles with a false transept, even completely lost nowadays because of a XVIII century restoration, I tried to recompose it ideally, comparing the old drawings and engravings, realized before the transformations, with all the useful passages found in the sources. For this reason, in the appendix some unpublished documents have been collected, to shed more light on the ancient facies of the cathedral. In the light of what has emerged, a global image of great interest has appeared: this cathedral, similar for its size to the big early Christian churches, absorbed and elaborated not only the northern Italy architectural traditions, but it was also the product of an intricate crossing of European exchanges, suggestions and influences that made it unique in the contemporary building survey of our peninsula" @default.
• W66221018 created "2016-06-24" @default.
• W66221018 creator A5076919372 @default.
• W66221018 date "2011-07-28" @default.
• W66221018 modified "2023-09-27" @default.
• W66221018 title "La cattedrale di Ferrara in epoca medievale: fasi costruttive e problemi iconografici" @default.
• W66221018 hasPublicationYear "2011" @default.
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