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- W73893911 abstract "It is a privilege to be invited to offer a keynote address to the Institute ofLiturgical Studies, where so much serious reflection and energy for the renewal and study of Christian worship has been generated. As will become clear to you almost immediately, keynote today does not mean in the sense of offering the concept that is needed to unlock all subsequent deliberation on the important topic of Christians. In my case, key refers more frankly and realistically to the indispensable need to start somewhere by opening the door to subsequent work in the institute-with its speakers, its group sessions and workshops, and its liturgies. In a real sense what is needed at this year's institute is not so much a but a whole ring of keys. We who gather build on the two previous years' work on worship, culture, and catholicity. Having explored the tensions between worship and culture in 1997, and the eschatological dimensions of those relationships in 1998, the institute this year turns to a moment of advocacy for the indispensable task of Christians. The word forming suggests to the hearer or reader an ongoing process which gives a fundamental shape. Call to mind if you will two examples of this process offorming: first, the potter. The potter works in clay and water. The potter or the potter's apprentice or helper prepares the clay by mixing earth and water until it is formable. When the potter takes up the clay it is prepared for his work already. The potter then forms the clay, into a useable shape. The shape is related to the fundamental mission of the vessel. The form of a vase is distinct from that of a plate; the size of a plate is different from the size of a platter; the form of a bowl is distinct from that of a pitcher. Knowing and understanding the use of the vessel contributes to the potter's ability to form it well and to the user's employment of it effectively and with satisfaction. The story is told of the early pioneer of the English pottery and china industry, Josiah Wedgewood, that the acid test of design for each of the teapots of his new factories was its use by Mrs. Wedgewood. Imagine the scene as Josiah would carry home from the factory a prototype of a new design, carefully wrapped against premature display. There he would" @default.
- W73893911 created "2016-06-24" @default.
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- W73893911 date "1999-01-01" @default.
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- W73893911 title "Fonned and Refonned: What God Effects through the Liturgical Assembly of Christians" @default.
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