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- W748827329 abstract "ion, expressivity, clarity and refinement. Late Modernism extends those, parameters mentioned above. Still clinging on to the modernist positions, the aim is to push the limits and try to create a more visually interesting statement. As an example I again refer to architecture where more and more glass is utilized and lesser amounts of concrete in an attempt to develop a lighter, cleaner structure trying all the while to focus one's attention on the. overall form. There is a real importance attached to making the objects more sculptural, to develop permeation of angles and dynamic thrusts. There still exists that emphasis on purity and one directionalism, however, those original ideas are being questioned. In essence, more risks are being taken for the preservation of the modernist mentality. Post Modernism, a term conceived by the architectural historian Charles Jencks, gained popularity in the late 1960 's and early 1970' s. Through his publications, Jencks saw Post Modernism as a kind of eclecticism that was being brought into architecture by a small group of young New York architects. Their purpose was to offset that extreme modern monolithic point of view related to the International style of architecture, the style made popular by the influence of Mies Von Der Rohe. Actually the problem was not so much him as it was his followers and j.mitators. These architects were borrowing similar techniques of construction but neglected to include a particular spirit that Mies was able to capture. I am referring to a lack of certain surface treatments that make a buildings exterior appear like a rectangular glass" @default.
- W748827329 created "2016-06-24" @default.
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- W748827329 date "1984-01-01" @default.
- W748827329 modified "2023-09-27" @default.
- W748827329 title "Towards a post modern aesthetic" @default.
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