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- W773291538 abstract " This thesis proposes an interpretation of the Musee des Monuments francais in Paris (1795-1816) in conjunction with Quatremere de Quincy's contemporary writings on the museum in general. The aim of this is twofold: Firstly, to identify and explore the significance of the Musee as an important instance in the history of the modern museum institution; and, secondly, to offer new insight into Quatremere's celebrated critique against the institution in general, and the Musee des Monuments in particular. Through an examination of the Musee's history and its intellectual context, alongside a detailed description of its layout/ its collections and their arrangement, informed by contemporary reports and criticism, as well as the lengthy writings of its creator and curator Alexandre Lenoir, the project's key features are identified and analysed. Subsequently, the main aim of the Musee is seen as a quest for identity and order in history, through the medium of art. Furthermore, the Musee is identified as ultimately transcending its historicist basis, through a poetic engagement with its various fragments - both literal and metaphorical. At the same time, a close reading of Quatremere's texts relating to the museum reveals that, across considerable ambiguity, the concerns which led him to address the institution in the first place also centred around the problem of history and its representation in art. Through an examination of numerous points of rapprochement, the conflict between Quatremere and the Musee des Monuments is revealed as largely circumstantial, while a final difference emerges through this reconciliation, pertaining to the Musee's ultimately poetic character." @default.
- W773291538 created "2016-06-24" @default.
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- W773291538 date "2000-01-01" @default.
- W773291538 modified "2023-09-23" @default.
- W773291538 title "Lenoir, Quatremère and the hermeneutic significance of the Musée des Monuments français" @default.
- W773291538 hasPublicationYear "2000" @default.
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