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- W779107346 abstract "This chapter briefly traces the thread that leads from the novel to the film. A valid criticism of the production perspective employed is that it tends to ignore the meaning of culture productions and that [d]educing meaning from reading texts is not part of the perspective. This is pertinent to an analysis of the relationship between the production of new religious movement (NRM) literature and a 'spiritual' film, especially with reference to the intertextuality that is the focus of adaptation theory (Leitch 2008: 63). To mitigate the consequences of this theoretical blind-spot, an initial reconnaissance of Ouspensky's literary production is briefly canvassed. Then how the novel was 'created, distributed, evaluated, taught, and preserved' is addressed and which enables the examination of Osokin's textual meaning. The chapter concludes by examining the problematic notion of 'orthodoxy' in a NRM and the accompanying paradox of quantitative marginality but qualitative impact. Keywords:adaptation theory; culture productions; Groundhog Day; intertextuality; Ivan Osokin; new religious movement (NRM) literature; Ouspensky" @default.
- W779107346 created "2016-06-24" @default.
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- W779107346 date "2012-01-01" @default.
- W779107346 modified "2023-10-14" @default.
- W779107346 title "From Ouspensky’s ‘Hobby’ to Groundhog Day: The Production and Adaptation of Strange Life of Ivan Osokin" @default.
- W779107346 doi "https://doi.org/10.1163/9789004226487_015" @default.
- W779107346 hasPublicationYear "2012" @default.
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