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• W780793543 abstract "GERSHWIN’S FASCINATING RHYTHM: THE RISE OF THE JAZZ MUSICAL By Amy C. Baumgartner M.F.A. A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Virginia Commonwealth University, 2008 Major Director: Dr. Noreen C. Barnes Director of Graduate Studies, Theatre Department The shift in the American economic viewpoint before and after World War I left an indelible mark on the arts, allowing the only indigenous music to arise, jazz. In the transitory period following the war, it was George Gershwin who paved the way for jazz to become America’s only indigenous music. Yet, the current definition of jazz is so racially polarized that it has lost focus on the music. This work explores George Gershwin’s role in creating a jazz culture in a xenophobic country and argues for an inclusive definition of jazz, one based on the music itself." @default.
• W780793543 created "2016-06-24" @default.
• W780793543 creator A5027119803 @default.
• W780793543 date "2008-01-01" @default.
• W780793543 modified "2023-09-23" @default.
• W780793543 title "Gershwin's Fascinating Rhythm: The Rise of the Jazz Musical" @default.
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• W780793543 doi "https://doi.org/10.25772/zkcp-dc10" @default.
• W780793543 hasPublicationYear "2008" @default.
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