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- W79196070 abstract "Author(s): Mendoza-Garcia, Gabriela | Advisor(s): Tomko, Linda J. | Abstract: My dissertation project examines past and current understandings of Jarabe Tapatio, which has come to be widely recognized as national dance of Mexico. To conduct this investigation, I have utilized textual sources and oral accounts from personal interviews. I have also drawn on bodily renderings of Jarabe Tapatio - some from my own practice of dance, others that I observed in performance, and still others that I taught students to embody as imparted by Alura Flores de Angeles' the God Mother of Mexican Dance. First, I investigate how teaching and performance of Jarabe Tapatio in 1920s and 1930s Mexico was sanctioned by state to operate alongside a post-revolutionary nationalism which built up seemingly inclusionary polices that were in fact designed to eradicate indigenous population, promote mestizaje as ideal race for a homogeneous nation, re-affirm class positioning, and consolidate traditional gender roles. I examine teaching and performance of JarabeTapatio at events organized by Secretary of Public Education (SEP) in rural schools, Cultural Missions programs, festivals, and weekly concerts. I unpack love narrative as articulated by Flores de Angeles to examine intersectionality of nation, race, gender, and class and how these constructs were incorporated within costume, music, and dance movements of dance. I also analyze many ways in which several public presentations of Jarabe Tapatio, by SEP school girls and by Nellie and Gloria Campobello- bodily consolidated and also contested post-revolutionary ideas as espoused by SEP in 1920s and 1930s. Secondly, I explore teaching and performance of Jarabe Tapatio in twenty-first century to ask whether dance has changed over time with immigration. I interviewed five twenty-first century United States practitioners and a number of dancers from California, Illinois, New Mexico, and Texas. In my interviews I found that contemporary performances of Jarabe Tapatio ignited internal discussions concerning gender, race, class, and nation. Nonetheless, preservation of Mexican heritage assumed greater importance. Thus, a 1920s post-revolutionary ideology continues to be reinforced by these twenty-first century United States practitioners." @default.
- W79196070 created "2016-06-24" @default.
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- W79196070 date "2013-01-01" @default.
- W79196070 modified "2023-09-27" @default.
- W79196070 title "Bodily Renderings of the Jarabe Tapatio in Early Twentieth-Century Mexico and the Millennial United States: Race, Nation, Class, and Gender" @default.
- W79196070 hasPublicationYear "2013" @default.
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