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- W7932612 abstract "In Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia, Margaret Hamilton traces the emergence of a postdramatic performance aesthetic in Australian theatre in the 1980s, 1990s and early 2000s through what she characterizes as an ‘analysis’ (p. 15) or ‘critique’ (p. 16)of a series of pivotal productions. For Hamilton, the transfigured aesthetic in the spotlight here is one typified by a focus on memory, imagination, desire, fear or disgust as facets of the human condition; by a visual, televisual or interactive dramaturgy; and, most critically, by a metatheatrical tendency to make tensions in the theatre-making process part and parcel of the tensions in the performance itself (pp.18–20)..." @default.
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- W7932612 date "2012-05-03" @default.
- W7932612 modified "2023-09-25" @default.
- W7932612 title "Review: Transfigured Stages : Major Practitioners and Theatre Aesthetics in Australia by Margaret Hamilton" @default.
- W7932612 hasPublicationYear "2012" @default.
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