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- W803445219 abstract "Raising this issue concerns the search for an answer to the question: what permanent features are to be found in the compositional language of Szymanowski, particularly in the early period of his development, since the ever-present changeability of particular formal solutions which he uses calls for some kind of counterbalance in the other planes of his musical language. One constructive answer to the question about such constant qualities has been provided by Jozef Chominski, who analysed them in a number of texts, including an extensive study entitled Szymanowski and Scriabin1 dating from 1963. In it he described in detail the relationship of the compositional techniques of the two composers, including a list of features characteristic of a music theme present in some of Scriabin’s works, and found in a similar form in some of Szymanowski’s later compositions. In this article I shall refer to it as ‘the Scriabin theme’. The group of musicologists who were interested in the interrelationships between the compositional techniques of Scriabin and Szymanowski included, apart from Jozef Chominski, Zofia Lissa. In her article Rozwazania o stylu narodowym w muzyce na materiale tworczości Karola Szymanowskiego [Reflections on national style in music in relation to the works of Karol Szymanowski], she draws attention to the significance of Scriabin in the creative development of Szymanowski. She sees Scriabin as an intermediary in the transfer of Chopinian models to the era when Szymanowski wrote his music2." @default.
- W803445219 created "2016-06-24" @default.
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- W803445219 date "2008-01-01" @default.
- W803445219 modified "2023-09-23" @default.
- W803445219 title "The Scriabin Theme in the First Phase of Karol Szymanowski's Creative Development / Agnieszka Chwiłek." @default.
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