FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W816166946> ?p ?o ?g. }

• W816166946 startingPage "680" @default.
• W816166946 abstract "Any liturgical scenario offers to the (Christian or only the state of') auditorium a triple repertoire: ritualic, musical, and homiletic. In this study we intend to discuss this homiletic aspect.The term which we will consider the synonym of (Christian lecture), comes from the Eline language having an initial meaning of gathering, reunion, link or conversation, dialogue, interlocution, group or crowd discussion. By time being the term acquired a particular meaning: teaching, counseling, and, subsequently, received a precise meaning, communication in Church, indispensable element of the Liturgy, a vector of transmitting, interpreting, and studying the revealed word.Even if the homily does not identify itself with the lay, heathen oratory, it becomes a successful preach1 only due to mixture of the preacher's charismatic talent and the laborious process of research, mediatation, essentialization, systematization and precise communication of the revealed message.Homiletics represents the theoretic analysis field of homilies. Looking like rhetorics,2 science and art (rather techne) of elaborating a persuasive discourse, the homiletics is the theoretic and methodological guideline of the homilies.There are at least few fundamental aspects which differentiate the homiletics from the lay rhetoric. Firstly, homiletics is rhetoric of the sacred eloquntia, where the word, as logos, is the center of concerns. Secondly, while the rhetoric focuses on the mastery of delivering the lay word in order to convince, persuade or manipulate the auditorium, the homiletics assumes the revealed word and says it differently, it changes into a herald messenger. Thirdly, if in oratory the verosimilitudine3 becomes mostly a substitute for truth, in homiletics case, the confession is the specific imperative transmission and communication of the divine truth. And finally, if rhetoric is funded on the art of speaking and the intelligence of using different argumentation, homiletics is in service of the revealed word, even if it uses almost the same instruments.Some manuals and older studies classify the church speech in four genres of preaches spoken in liturgical context: homilies, proper preaches, paraenesis4 and religious lectures. Others classify preaches in accordance with the content of the biblical, dogmatic, moral, liturgical and historical writings, thus leaving the initial criterion and multiplying the homiletic interpretations.Recent studies of homiletics opt for simpler classifications because of methodological and practical senses. Thus, if we take into consideration the moment when preaches are spoken, there are only two speech genres: one exegetical and the other thematic.In accordance with the primary tradition, the homily had the role to explain and interpret the biblical read texts and it was spoken after the biblical readings in the first part of the Liturgy. second part of the Liturgy, the one that belongs to the believers, had an autonomous status at some moment. Today, it has become a custom to move the preach to the end of the Liturgy, due to the length of the liturgical ritual or in most of the cases due to the followers who get the church after the Evangelical is read.In this primary interpretation, the homily identifies with the exegetic homily. It seems that the oldest homily is The Second Epistle to the Corinthians, written by Saint Clement, the Roman5 in the first part of the second century B.C. Some histories and religious studies consider Origenes6 the father of the homily, the true founder of the scientific research on Holy Scripture. Taking into account what his contemporaries declared, Origen interpreted almost the whole Holy Scripture (The Old and the New Testament) in more than 1000 homilies, commentaries and scholiums.7For the time being, the homily loses its strict exegetic character becoming opened to the thematic one. …" @default.
• W816166946 created "2016-06-24" @default.
• W816166946 creator A5078776504 @default.
• W816166946 date "2014-07-01" @default.
• W816166946 modified "2023-09-23" @default.
• W816166946 title "The Rhetorical Construction of Masculinity" @default.
• W816166946 hasPublicationYear "2014" @default.
• W816166946 type Work @default.
• W816166946 sameAs 816166946 @default.
• W816166946 citedByCount "0" @default.
• W816166946 crossrefType "journal-article" @default.
• W816166946 hasAuthorship W816166946A5078776504 @default.
• W816166946 hasConcept C107038049 @default.
• W816166946 hasConcept C111472728 @default.
• W816166946 hasConcept C124952713 @default.
• W816166946 hasConcept C1370556 @default.
• W816166946 hasConcept C138885662 @default.
• W816166946 hasConcept C142362112 @default.
• W816166946 hasConcept C144024400 @default.
• W816166946 hasConcept C150506046 @default.
• W816166946 hasConcept C192562157 @default.
• W816166946 hasConcept C27206212 @default.
• W816166946 hasConcept C2776217137 @default.
• W816166946 hasConcept C2777343698 @default.
• W816166946 hasConcept C2777852031 @default.
• W816166946 hasConcept C2778266495 @default.
• W816166946 hasConcept C2780876879 @default.
• W816166946 hasConcept C32772713 @default.
• W816166946 hasConcept C41895202 @default.
• W816166946 hasConceptScore W816166946C107038049 @default.
• W816166946 hasConceptScore W816166946C111472728 @default.
• W816166946 hasConceptScore W816166946C124952713 @default.
• W816166946 hasConceptScore W816166946C1370556 @default.
• W816166946 hasConceptScore W816166946C138885662 @default.
• W816166946 hasConceptScore W816166946C142362112 @default.
• W816166946 hasConceptScore W816166946C144024400 @default.
• W816166946 hasConceptScore W816166946C150506046 @default.
• W816166946 hasConceptScore W816166946C192562157 @default.
• W816166946 hasConceptScore W816166946C27206212 @default.
• W816166946 hasConceptScore W816166946C2776217137 @default.
• W816166946 hasConceptScore W816166946C2777343698 @default.
• W816166946 hasConceptScore W816166946C2777852031 @default.
• W816166946 hasConceptScore W816166946C2778266495 @default.
• W816166946 hasConceptScore W816166946C2780876879 @default.
• W816166946 hasConceptScore W816166946C32772713 @default.
• W816166946 hasConceptScore W816166946C41895202 @default.
• W816166946 hasIssue "2" @default.
• W816166946 hasLocation W8161669461 @default.
• W816166946 hasOpenAccess W816166946 @default.
• W816166946 hasPrimaryLocation W8161669461 @default.
• W816166946 hasRelatedWork W1247409323 @default.
• W816166946 hasRelatedWork W1983271417 @default.
• W816166946 hasRelatedWork W2001096445 @default.
• W816166946 hasRelatedWork W2059287562 @default.
• W816166946 hasRelatedWork W2171337063 @default.
• W816166946 hasRelatedWork W226123783 @default.
• W816166946 hasRelatedWork W2321005573 @default.
• W816166946 hasRelatedWork W2399291593 @default.
• W816166946 hasRelatedWork W244771178 @default.
• W816166946 hasRelatedWork W247367532 @default.
• W816166946 hasRelatedWork W2487504898 @default.
• W816166946 hasRelatedWork W2491007066 @default.
• W816166946 hasRelatedWork W259564788 @default.
• W816166946 hasRelatedWork W2955095767 @default.
• W816166946 hasRelatedWork W2968074505 @default.
• W816166946 hasRelatedWork W317456862 @default.
• W816166946 hasRelatedWork W583694238 @default.
• W816166946 hasRelatedWork W744727989 @default.
• W816166946 hasRelatedWork W91073057 @default.
• W816166946 hasRelatedWork W2160649186 @default.
• W816166946 hasVolume "4" @default.
• W816166946 isParatext "false" @default.
• W816166946 isRetracted "false" @default.
• W816166946 magId "816166946" @default.
• W816166946 workType "article" @default.