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- W83579857 abstract "When he was only twenty-five years of age, P?rez de Ayala wrote his first novel, with the declared intention of achieving literary notoriety. In fact, that objective was accomplished by A.M.D.G. published in 1910, three years after Tinieblas en las cumbres. Ayala's first novel was a relative, but not overwhelming, success. P?rez de Ayala himself always maintained that the novel is the genre of maturity, not of youth: ?...no es posible escribir la gran novela, con todos sus atributos, antes de la madurez....Una gran novela de juventud no puede ser sino una novela subjetiva..?. ' This would seem to imply that Ayala saw the novel as an expression of a long process of accumulated experience, thereby rooting it very firmly in observed and lived reality. However, neither Ayala's early nor his later novels take reality, in the sense of the external world, either as their inspiration or as the subject of their representation. The accumulated experience to which Ayala refers is primarily literary experience, and the contrast he draws between youth and age is in essence one between romantic individualism and classical universality. In other words, Ayala is contrasting two approaches to literature: the Romantic which sees literature as the direct ex pression of immediate, subjective perception, and the Classicist which considers reality to be mediated, conceptualised, generalised by virtue of its being transmuted into language. For the one, there is a convergence between literature and reality, for the other, a divergence. But even on these terms, Tinieblas en las cumbres is anything but a subjective novel. It has become commonplace among critics to take the im" @default.
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- W83579857 date "1983-01-01" @default.
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- W83579857 title "Tiniblas en las cumbres and the Crisis of Modernist Fiction" @default.
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