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- W835998344 abstract "In 1986, Anselm Kiefer produced a painting he entitled Jerusalem . When the work is viewed from a distance, a high horizon with a golden glow shining over its centre appears, which partly due to the title, could be interpreted as a reference to a heavenly Jerusalem. Two metal skis are attached to the surface, which, as Fremdkorper , do not enter into any kind of structural or visual relationship with the painting. Eleven years later, Gerhard Richter painted a much smaller work that, although it was also given the title Jerusalem , was of a very different order. The painting shows us a view of a sun-lit city. But again Jerusalem is hardly recognizable because Richter has let the city dissolve in a hazy atmosphere, which is, in effect, the result of a painting technique using a fine, dry brush in paint that has not yet completely dried. Keywords: Anselm Kiefer; Fremdkorper ; Gerhard Richter; Jerusalem" @default.
- W835998344 created "2016-06-24" @default.
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- W835998344 date "2014-01-01" @default.
- W835998344 modified "2023-09-23" @default.
- W835998344 title "3 Jerusalem as Trauerarbeit" @default.
- W835998344 doi "https://doi.org/10.1163/9789004270855_005" @default.
- W835998344 hasPublicationYear "2014" @default.
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