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- W837595437 abstract "The study is devoted to the categories of perception and evaluation of music in France from the 1900s' to the 1990s'. Those are considered through frames of experience and material settings for appreciation in order to analyze the production of the reception of jazz. The formation of jazz is treated through the stabilization of classifications and of specific institutions, and through the reinvestments of so-called (African) American rythm. The autonomisation of the field of is studied through five processes: the emergence of a specific market, of specialized musicians and of independent gate-keepers, the enrolement and disqualification of amateurs, and the domestication of audiences. The ethnography of two contemporary jazz-clubs leads to balance micro and macroanalysis, linking the order of aesthetical interactions with structural processes concerning public policies of culture, new models of cultural consumption, and the internationalization of musical markets." @default.
- W837595437 created "2016-06-24" @default.
- W837595437 creator A5001322609 @default.
- W837595437 date "2007-01-01" @default.
- W837595437 modified "2023-09-23" @default.
- W837595437 title "Les échelles du plaisir : formes d'expérience et dispositifs d'appréciation du jazz : une enquête sur les transformations de la culture lettrée en France au vingtième siècle" @default.
- W837595437 hasPublicationYear "2007" @default.
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