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- W861095041 abstract "Idleness is central to both the design and ambitions of Samuel Taylor Coleridge’s ‘Effusion XXXV’ (1795), the poem that is later renamed ‘The Eolian Harp’. The poem (Coleridge 1997a: 85–6) dramatizes the manner in which the reposing, contemplative poet can access knowledge unavailable to the active or labouring man. The poem thus sits squarely in the tradition of Romantic reaction to the assumptions of political economy that forms the subject of this chapter. It is the second verse paragraph of the ‘Effusion’, functioning as a flashback from the poem’s twilit present, that depicts its speaker’s key moment of repose, and that voices the poem’s tentative but far-reaching moral intuition: And thus, my love, as on the midway slope Of yonder hill I stretch my limbs at noon, Whilst through my half-closed eyelids I behold The sunbeams dance, like diamonds, on the main, And tranquil muse upon tranquillity, Full many a thought uncalled and undetained, And many idle flitting fantasies Traverse my indolent and passive brain — As wild and various as the random gales That swell or flutter on this subject lute! And what if all of animated nature Be but organic harps diversely framed, That tremble into thought, as o’er them sweeps, Plastic and vast, one intellectual breeze, At once the soul of each, and God of all? (1997a: 86, 11. 26–40)" @default.
- W861095041 created "2016-06-24" @default.
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- W861095041 date "2014-01-01" @default.
- W861095041 modified "2023-09-25" @default.
- W861095041 title "Idleness and Creativity: Poetic Disquisitions on Idleness in the Eighteenth and Early Nineteenth Centuries" @default.
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- W861095041 doi "https://doi.org/10.1057/9781137404008_9" @default.
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