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- W878794165 abstract "The restaurant of Many Orders' ('Chūmon') is a satire on material desire that ultimately signifies Buddhist ideal of immateriality. In 1920s, Japan's decade of modernism, effects of modernisation had penetrated deep into grain of everyday life. Mechanised technologies and commodification had accelerated representations of mass culture and pervaded even most privileged domains of academe and arts. The tale of 'Chūmon' represents a play of paradoxes that has been suggested as the key to unlocking illusion. This chapter examines four of most popular contemporary artistic interpretations of tale. Iino Kazuyoshi's 'Chūmon' forms volume three of Kumon series of Kenji's tales. It is third story in book of same name (Chūmon no Ōi Ryōriten) and was originally published in 1992. Shimada Mutsuko accentuates men's sense of confusion or fear at critical moments.Keywords: Buddhist ideal; Chūmon no Oi Ryoriten; contemporary artistic interpretations; Iino Kazuyoshi; Japan; mechanised technologies; Shimada Mutsuko" @default.
- W878794165 created "2016-06-24" @default.
- W878794165 creator A5047799706 @default.
- W878794165 date "2013-01-01" @default.
- W878794165 modified "2023-09-24" @default.
- W878794165 title "7: The Threat of Erasure through Material Embeddedness in ‘The Restaurant of Many Orders’ (Chūmon no Ōi Ryōriten)" @default.
- W878794165 doi "https://doi.org/10.1163/9789004249400_009" @default.
- W878794165 hasPublicationYear "2013" @default.
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