FRINK Linked Data Fragments server

Matches in SemOpenAlex for { <https://semopenalex.org/work/W889787369> ?p ?o ?g. }

• W889787369 startingPage "31" @default.
• W889787369 abstract "Wolfgang Amadeus Requiem: Reconstruction of First Performance. Dunedin Consort. John Butt, director. Joanne Lutt, soprano; Rowan Hellier, alto; Thomas Hubbs, tenor; Matthew Brook, bass. Mozart: Requiem; Misericordias domini, D Minor, K. 222; and of music performed at the requiem mass for 10 December 1791 (Requiem aeternam and Kyrie). Program notes in English: Requiem -Reconstruction of First Performances (pp. 5-11) and Performance Issues (pp. 12-13) by John Butt; Key Sources (pp. 14-15); Latin texts and English translations; performer biographies. Recorded at Greyfriar's Kirk, Edinburgh, U.K., September 15-19, 2013. Total timing 61. ©2014. Linn Records CDK 449. $23.98. Rating:Mozart Requiem. Concentus musicus Wien. Arnold Schoenberg Chor prepared by chorus master Erwin Ortner. Nikolaus Harnoncourt, director. Christine Schafer, soprano; Bernarda Fink, alto; Kurt Streit, tenor; Gerald Finley, bass. Program notes in English, German, and French: Mozart and His Requiem: A Musician's Reflections and Feelings by Nikolaus Harnoncourt (pp. 4-7) and Wolfgang Amade Mozart: Requiem in D Minor, K. 626 (Unfinished), completed by Franz Xaver Sussmayer; new, revised edition by Franz Beyer by Benjamin-Gunnar Cohrs (pp. 7-1 1). Latin texts and English translations. original manuscript is to be found as a CD-ROM track on this SACDIntroitus and Kyrie as written by Mozart; Sequence and Offerory in fragmentary form. Recorded live at the Groser Musikvereinsaal, Vienna, November 27-December 1, 2003. Total timing 50:15. ©2004. Deutsche harmonia mundi 82876 58705 2. $9.48 Rating: ????Mozart's Requiem occupies a unique place in music history. As director John Butt writes in his liner notes, While some of its popularity can be attributed to romantic notions of the dying genius doing his utmost to crown his life's work in the most sublime fashion, there is no doubt that the vast proportion of the surviving material is remarkable in its musical cohesion and emotional (p. 5). Indeed, that cohesion and power are displayed with brilliance on both these recordings, one performed from a new modern edition by Franz Beyer, the other based on David Black's new scholarly edition of the first completed version prepared in 1792 by Franz Xaver Susmaycr (1766-1803). Butt points out that Susmayer's version has been criticized for weaknesses in the Sanctus and Osanna, as well as its orchestration and part-writing. Those critiques, however, opened up the field to composers and creative scholars who wished to do better in their imagining of the ideal Mozartian completion. The most devout Mozartians, on the other hand, do not believe the work should be performed beyond the point of Mozart's last original notations, though they do sanction performance of completions of the work to that point.Given the complexity of the requiem's genesis and the involvement of several hands after the composer's death, it is a pleasure to be able to compare this performance of this new reconstruction of Mozart-Susmayer s original with a new modern edition. To my ears, it greatly adds to the pleasure that both recordings were made with orchestras performing on original instruments and with eighteenth-century performance practice traditions in mind. (Examples below.) For some listeners, the distinctions between the two editions of the mass will be insignificant-or at least will pale in comparison to the many differences between the two recordings. Chief among these are tempos, the role of the conductors, sound qualities and ideals of the soloists and choruses, and conceptual differences between how the movements should depict their dark affects. If you are used to the requiem performed by a modem orchestra with modern legato performance style, you will be taken aback by the ferocity of some of the movements, which-in hindsight comparisons-will make some modern performances appear to be mere shadows of the real thing. …" @default.
• W889787369 created "2016-06-24" @default.
• W889787369 creator A5040172067 @default.
• W889787369 date "2014-07-01" @default.
• W889787369 modified "2023-09-26" @default.
• W889787369 title "Wolfgang Amadeus Mozart Requiem: Reconstruction of First Performance/Mozart Requiem" @default.
• W889787369 hasPublicationYear "2014" @default.
• W889787369 type Work @default.
• W889787369 sameAs 889787369 @default.
• W889787369 citedByCount "0" @default.
• W889787369 crossrefType "journal-article" @default.
• W889787369 hasAuthorship W889787369A5040172067 @default.
• W889787369 hasConcept C124086623 @default.
• W889787369 hasConcept C124952713 @default.
• W889787369 hasConcept C142362112 @default.
• W889787369 hasConcept C15708023 @default.
• W889787369 hasConcept C2780832652 @default.
• W889787369 hasConcept C40462162 @default.
• W889787369 hasConcept C52119013 @default.
• W889787369 hasConcept C530479602 @default.
• W889787369 hasConcept C72768826 @default.
• W889787369 hasConceptScore W889787369C124086623 @default.
• W889787369 hasConceptScore W889787369C124952713 @default.
• W889787369 hasConceptScore W889787369C142362112 @default.
• W889787369 hasConceptScore W889787369C15708023 @default.
• W889787369 hasConceptScore W889787369C2780832652 @default.
• W889787369 hasConceptScore W889787369C40462162 @default.
• W889787369 hasConceptScore W889787369C52119013 @default.
• W889787369 hasConceptScore W889787369C530479602 @default.
• W889787369 hasConceptScore W889787369C72768826 @default.
• W889787369 hasIssue "1" @default.
• W889787369 hasLocation W8897873691 @default.
• W889787369 hasOpenAccess W889787369 @default.
• W889787369 hasPrimaryLocation W8897873691 @default.
• W889787369 hasRelatedWork W128986669 @default.
• W889787369 hasRelatedWork W1552619037 @default.
• W889787369 hasRelatedWork W1561673649 @default.
• W889787369 hasRelatedWork W1587808865 @default.
• W889787369 hasRelatedWork W1938353793 @default.
• W889787369 hasRelatedWork W1970448427 @default.
• W889787369 hasRelatedWork W1976010909 @default.
• W889787369 hasRelatedWork W1989460461 @default.
• W889787369 hasRelatedWork W2015383892 @default.
• W889787369 hasRelatedWork W2019341848 @default.
• W889787369 hasRelatedWork W2069450412 @default.
• W889787369 hasRelatedWork W2094412539 @default.
• W889787369 hasRelatedWork W224975683 @default.
• W889787369 hasRelatedWork W2293859261 @default.
• W889787369 hasRelatedWork W237523212 @default.
• W889787369 hasRelatedWork W2503229898 @default.
• W889787369 hasRelatedWork W2549357358 @default.
• W889787369 hasRelatedWork W285534881 @default.
• W889787369 hasRelatedWork W349665427 @default.
• W889787369 hasRelatedWork W1932036108 @default.
• W889787369 hasVolume "29" @default.
• W889787369 isParatext "false" @default.
• W889787369 isRetracted "false" @default.
• W889787369 magId "889787369" @default.
• W889787369 workType "article" @default.