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• W9076865 abstract "statement and metaphysical representation. Both media. it is certain, were responding to the shifting emphasis of the Western World away tram religion toward science. The two basic concerns or science, analysis and discovery, beoaae conscious objectives of both painter and poet. Modern painting, like a mathematical equation, is independent of any representational motive; while same modern verse is merely the result of acute psychological analysis, independent of any dramatic motivation. The function of poetry in a machine age is identical to its fUnction in any other age; and its capacities tor presenting the most complete synthesis of human values remain essentially immune tram any of the so-called inroads of science. The emotional stimulus of machinery is on an entirely different psychic plane tram that of poetry. Its only menace lies in its capacities for facile entertainment, so easily accessible as to arrest the development or any but the most negligible esthetic responses. The ultimate influence of machinery in this respect remains to be seen, but its fir.m entrenchment in our 4Ibide, PP• 175-176 • lives has alread7 produced a series of challenging new responsibilities for the poet. For unless poetry can absorb the machine, i.e., acclimatize it as naturally and casually as trees, cattle, galleons, castles and all other human associations of the past, then poet~ has failed of its tall contemporary function. This process does not infer any program of lyrical pandering to the taste of those obsessed by the importance of machine~; nor does it essentially involve even the specific mention of a single mechanical contrivance. demands, however, along with the traditional qualifications of the poet, an extraordinary capacity for surrender, at least temporarily, to the sensations of urban life. This presupposes, of course, that the poet possesses sufficient spontaneity and gusto to convert this experience into positive terms.5 61 The above quotation has so often been misquoted, that is seems important to include it here in its original form. Crane continues to say that use of and poetic allusion to machinery will in time cause it to lose its sensational glamour. cannot act creatively in our lives until its connotations emanate from within. The next point which Crane questions is the modern poet in the role of philosopher or theologian. He sees science in the place of the hierarachies of both academy and Church. It is pertinent to cite the authors of the Cammedia and Paradise ~ as poets whose verse survives the religious dogmas and philosophies of their respective periods, but it is fallacious to assume that either of these poets could have written important religious verse without the fully developed and articulated religious do~s that each was heir to.6 5Ibid., P• 177. 6~., P• 179." @default.
• W9076865 created "2016-06-24" @default.
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• W9076865 date "1944-01-01" @default.
• W9076865 modified "2023-09-26" @default.
• W9076865 title "A Study of the Influence Affecting Hart Crane" @default.
• W9076865 hasPublicationYear "1944" @default.
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