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- W92069519 abstract "Has there ever been anything like a magic signifier on which one might pin one's faith, or a unified subject in full command of human destiny? Such are the questions which The Shadow-Line answers negatively. 'Nothing should ever be taken for granted.... I feel it's all my fault' (SL, p. 95) concludes Conrad's captain narrator, after discovering his predecessor's treachery over the quinine in the medicine chest ? the panacea kept in the v miraculous shrine' (SL, p. 79) that was supposed to save the ship from deadly peril. But why should such questions be raised so crucially in a text written during the first act of the tragedy of modernity, in 1914 1915, when vthe heavy thud of a collapsing structure'1 delivered the Western world into the jaws of a war that was commonly figured as a man-eating monster calling from the abyss for some collective sacrifice? Conrad provides a literary clue in the epigraph he chose from NLa Musique' for his vCalm-piece':2 in Baudelaire's poem, the sea, vcalme plat, grand miroir/ De mon desespoir', offers a reflecting screen. So, too, The Shadow-Line uses the sea to stage the drama of man's longing for what Jacques Lacan, in his study of" @default.
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- W92069519 date "2016-01-01" @default.
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- W92069519 title "READING SHADOWS INTO LINES: CONRAD WITH LACAN" @default.
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