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- W935593876 abstract "As readers of Virginia Woolf, we are fortunate to possess the literary treasurehouse of her five-volume, 1,700-page Diary, which not only illuminates the constellation of her family relations, friendships, and literary contacts (including the communal intellectual setting of Bloomsbury), but also contains, contemporaneous with and in counterpoint to her creative writing as it evolved, her own literary self-evaluations: her uncompromising descriptions of her travails, of her efforts at overcoming the technical limitations of narrative fiction as she had inherited it from the Victorians, and, perhaps most interestingly, her passionate evocations of those moments of elation in which she considered she had achieved aesthetic success. Precisely because Woolf was so intellectually honest and capable of a sober-minded, continual self-criticism, these moments emerge from the surrounding landscape (or better, for reasons that shall become clear presently: seascape) in dramatic fashion, as a triumphant rising-above-the-waves, as a bursting-forth of fluid energy, as an uncontainable overflow which carries along the writer in its wake. Thus her ecstatic entry of 23 February 1926, in which Woolf describes her feelings of being happily submerged in the writing of To the Lighthouse, the novel I shall be focusing on in this chapter:" @default.
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- W935593876 date "2001-09-27" @default.
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- W935593876 title "Fishing the waters of impersonality: Virginia Woolf's <i>To the Lighthouse</i>" @default.
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- W935593876 doi "https://doi.org/10.1017/cbo9780511485749.009" @default.
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