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- W950442695 abstract "In the late nineteenth and early twentieth centuries, a number of avant-garde artists including William Morris, Henry van de Velde, Gustav Klimt, Aleksandra Exter, Giacomo Balla and Sonia Delaunay, engaged with fashion as a means of reconnecting art with everyday life. Challenging the conception of art for art’s sake, they sought to integrate aesthetics with practical utility through the design of wearable garments. Since this time, there has been an increasing convergence between fashion and art. However, the nature of this rapprochement is very different from that envisaged by the turn of the century artistic avant-garde. For, rather than art becoming less esoteric through its engagement with fashion, fashion has become increasingly divorced from ‘life’ through its elevation to the otherworldly realm of art. Thus, a significant number of the creations by leading fashion designers today are ‘art’ works, which are not intended to have a life beyond the catwalk or art museum. This has been given imprimatur by the proliferation of exhibitions featuring fashion in art museums and reviews of fashion in leading art journals. While the newfound status accorded to fashion since its ascension to the realm of art has largely been welcomed, at the same time it leaves intact the separation of the aesthetic from the functional and the value hierarchy on which this distinction is predicated. Instead of providing a counter to the suppression of corporeality in the experience of art, which underpins Kantian aesthetics, fashion itself has become disembodied, once it enters the realm of art." @default.
- W950442695 created "2016-06-24" @default.
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- W950442695 date "2016-01-01" @default.
- W950442695 modified "2023-10-12" @default.
- W950442695 title "Fashion as Art or Art as Fashion?" @default.
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- W950442695 doi "https://doi.org/10.1163/9781848884830_022" @default.
- W950442695 hasPublicationYear "2016" @default.
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