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- W956614332 abstract "Several times in his letters, Joyce refers to Finnegans Wake as a work of music, and he describes his writing of it as a musical activity. In addition to hundreds of allusions to opera and popular song in the novel's text, both the micro and macro structures of the Wake can be viewed as musical in nature. Using tiny excerpts from a Bach fugue and the Wake as examples of similar polyphonies, this essay shows how the circularity and contrapuntal nature of the Wake call on readers to approach Joyce's last novel, not as a literary object, but as a musical performance." @default.
- W956614332 created "2016-06-24" @default.
- W956614332 creator A5087806417 @default.
- W956614332 date "2009-01-01" @default.
- W956614332 modified "2023-09-26" @default.
- W956614332 title "PLAYING THE SQUARE CIRCLE: MUSICAL FORM AND POLYPHONY IN THE WAKE" @default.
- W956614332 doi "https://doi.org/10.1163/9789042032385_010" @default.
- W956614332 hasPublicationYear "2009" @default.
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