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- W99012945 abstract "In the field of contemporary cinema and audiovisual theories, the subject matter of self-portrait and its relations to new media is by now noticeably relevant. If contemporary theories are indeed polarized between media and visual studies, self-portrait, as a whole, appears, because of its peculiar metadiscursivity, as a crossroad between these two main issues, and therefore as a chance to question their correlation. What emerges is a common and fundamental problem, that of the opposition and mutual implication of perceptible and intelligible, discursive and figural: what can be expressed with words and what can be shown, indicated. Such problems had already been discussed by Benveniste in the field of language and by Metz and Marin in that of the image, and finds today a new and fertile formulation in Ranciere’s reflection on the “aesthetic regime of the arts”. Starting from what, in the light of what would then be the “aesthetic” dimension implied by the contemporary theoretical horizon, we called “the scene of the self-portrait”, the latter would then take value of track, imprint, displaying in the perceptible presence of the image the absence of what is impressed in it: mediated modality of what Derrida called spectrality." @default.
- W99012945 created "2016-06-24" @default.
- W99012945 creator A5040625293 @default.
- W99012945 date "2013-06-03" @default.
- W99012945 modified "2023-09-27" @default.
- W99012945 title "LA SCENA DELL'AUTORITRATTO. MEDIALITA', INDESSICALITA', SPETTRALITA'" @default.
- W99012945 hasPublicationYear "2013" @default.
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