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- W99469114 abstract "This is a book that should be read by everyone who has any contact with early and earlyish instruments, whether players, collectors, curators, makers, restorers, repairers or any other; and bear in mind, too, that the instruments we buy new today will in due course become the early instruments of the future. Wherever historic, or early, instruments survive, in museums, in private collections, or the hands of players, there is a never-ending debate between (to exaggerate somewhat) those who want to play them until they fall apart and those who want to conserve them untouched for all future generations to study. Or, as Dr Barclay puts it in far more rational terms, there is ‘an on-going dialogue between making music and preserving historical integrity’. What he sets out to do here is to explore the parameters of a rationale which will permit compromise and, with the aid of a number of case histories of the treatment of instruments old and new, to establish the criteria which can be used to determine whether any particular instrument can, or should, legitimately be used." @default.
- W99469114 created "2016-06-24" @default.
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- W99469114 date "2005-08-01" @default.
- W99469114 modified "2023-09-25" @default.
- W99469114 title "Conservation versus use" @default.
- W99469114 doi "https://doi.org/10.1093/em/cah111" @default.
- W99469114 hasPublicationYear "2005" @default.
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