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- W99673896 abstract "espanolEn 1663 el artista y fraile benedictino espanol Juan Ricci de Guevara (1600-1681) trato de proporcionar al Papa Alejandro VII la prueba teologica de la Inmaculada Concepcion de Maria. Este articulo analiza el contenido y el contexto de tal texto. Ricci expone aqui una teologia de tipo mistico, sirviendose del conocimiento y uso de diferentes tradiciones religiosas en que las imagenes sirven como acceso a las verdades espirituales mas elevadas. Dedica especial atencion a profecias y visiones, tales como la profecia de Malaquias y el Apocalipsis. Haciendo uso de estas fuentes literarias y visuales, Ricci subraya la predestinacion divina de Alejandro como defensor del misterio de la Inmaculada Concepcion. La teologia especifica de Ricci, a pesar de apoyarse en diferentes tradiciones, le llevo hasta el limite de lo iconografica y literalmente aceptable. Este articulo da cuenta de como su maestria supo reflejar un debate teologico y politico. EnglishIn 1663, the Spanish Benedictine monastic and artist Juan Ricci de Guevara (1600-1681) submitted theological proof of Mary's Immaculate Conception to Pope Alexander VII. This essay discusses the content and context of that manuscript. Through the knowledge and use of several religious traditions in which images were the key to the highest spiritual truths, Ricci demonstrates a mystical kind of theology. He demonstrates special attention for prophecies and visions, such as the prophecy of Malachy and the Apocalypse. Ricci applies these sources both literary and visually, in order to stress Alexander's divine, predestined role as defender of the mystery of Mary's lmmaculacy. Although relying on several theological traditions, Ricci's specific theology brought him exceptionally close to the limits of what was iconographically and literary acceptable. This essay discusses how his artistry reflected a theological and political debate." @default.
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- W99673896 date "2010-01-01" @default.
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- W99673896 title "The Apocalypse of Juan Ricci de Guevara. Literary and iconographical artistry as mystico-theological argument for Mary's Immaculate Conception in Immaculatae Conceptionis Conclusio (1663)" @default.
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